For the phone sequence, I wanted the phone to appear with movement and depth rather than as a static element. Using Kling Pro, I input front and back reference images of the phone (back reference generated using Nano Banana) to generate a dynamic rotation on a green screen. This gave the shot a more natural, cinematic motion straight from the AI output. I then used VEO 3 to generate a separate clip of a hand entering frame and pressing a button on the phone. The two clips were stitched together to create a seamless transition between the AI-generated movements.
In After Effects, I rotoscoped the phone and hand to isolate them cleanly, then masked out the phone screen to replace it with interchangeable UI animations. I layered in text animation, lighting adjustments, reflections, and subtle visual flourishes to make the shot feel grounded and cohesive with the rest of the campaign.